The relevance of choice of materials, the discreet subtlety of forms, the references to which are sent back certain compositions, dress every blink of an eye of the discreet elegance that a keen visual artist on Art History, brings to sometimes unexpected convergences.
The girl got on «the donkey tightrope walker» evokes irresistibly «the Angelo
della Citta» that Marino Marini, agitator, put down, in front of the Guggenheim foundation, on the Grand Canal !
When I tell you that we can grow up without becoming old …
Curator of the Heritage,